TAKE  NOTE OF SOMETHING DIFFERENT
 

SESSION NINETY-FOUR

Please read the previous ninety-three sessions before you try this one.  This is no joke.

 

Stop your internal roof-brain chatter and drop the familiar environment for a few moments before going on to the devastating next note.

 

You did not do as instructed, did you?

 

Put a stop to your egomania for a few moments before going on to the wretched next note.

 

Many embellishments of the common garden variety mind are often considered by it to be a useful interpretation of this particular note, but it could not be more wrong.  In order to correct all this, do not go on to the next note until you have entered the real unknown for a few moments.

 

Again, the immensity of your stupid cop-out is immeasurable.

 

Back up and try again too enter the unknown for a few moments before going on to the next dressing down for your failure to do this.

 

If you are now perfectly clear that you are either unable or unwilling to enter the unknown, go on to the next note.

 

Avoid the unknown at this time and give your fullest attention to the known for a few moments before going on to the next challenging note.

 

You were either unable or unwilling to give your fullest attention to the known as well.  This indicates that you do not know the difference between the known and the unknown due to stupidity and distraction.  Face this before going on to the next note.

 

You failed to fully acknowledge your stupidity and distraction.  It is predicted that you will not fully face this self-fact either, so just go on and read the next note without hesitating for whatever excitement or interest it can temporarily give you.

 

Imagine your greatest personal pleasure happening very soon again before going on to the next note.

 

Now that you know you can give some real attention to some things, enter the unknown and stay there a long time, after which you should again imagine your greatest personal pleasure before going on to the next note.

 

If you are still uncertain about the real unknown, totally blank out your present situation with your eyes open for a few moments before going on to the next note about the wild rabbits.

 

Here are whatever wild rabbits you have in mind.

 

If you want to see how your mind works, picture your wild rabbits as colored jet black and running around madly on a very dark, moonless, cloud-covered night in upper New York state in America where Whitley Strieber met the “visitors”, as he calls them.

 

Now picture Whitley Strieber roasting one of these rabbits with his shot gun by his side with a huge alien spaceship hovering overhead.  Then picture some neighbours calling the police and reporting a “UFO” along with strange black creatures running around a bright fire in the woods.

 

Enter the unknown sometime before going on to the next note session.

 

 

 

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